Demolition Watch: Bunting House
Four nineteenth-century buildings at the corner of Ridge and Roxborough Avenues face imminent demolition after a new owner pulled a demolition permit earlier this month, surprising neighbors and former tenants who were told that the houses would be rehabilitated. Included on the demolition permit is the Bunting House at 5901 Ridge Avenue, one of the finest surviving Second Empire homes in Roxborough (pictured above). Because none of the houses are listed on the Philadelphia Register of Historic Places, the Department of Licences and Inspections approved the demolition permit without the notification or approval of the Philadelphia Historical Commission, which lacks any authority to intervene without historic designation. The permit was applied for by Giovannone Construction Inc. of Conshohocken, which purchased the four properties last year at sheriff’s sale.
Local residents have started an online petition targeting the developers, who have not announced any plans for the parcels. The Preservation Alliance encourages you to add your voice of support to Roxborough residents fighting to save an important piece of their community heritage. CLICK HERE to sign the petition, and read more about the project at the Roxborough Review.
A Digital Future for Lit Bros?
In June 2011, City Council passed an ordinance creating the Market Street East Advertising District between 7th Street and 13th Street. Intended to spur the revitalization of Market East, the ordinance allows property owners to erect large-format animated digital signage in exchange for major property improvements. The bill excluded historic buildings from the district except in cases where large signs previously existed.
For most of its existence, a large rooftop sign stood on the Lit Brothers building. This qualifies the building for new digital signage under the ordinance, but the Philadelphia Historical Commission must also approve the alterations. The Commission’s Architectural Committee has recommended denial of the proposed signage, finding that the colorful animation detracts from the architectural integrity of the building. The full Historical Commission is set to vote on the proposal at its September 14th meeting.
What do you think of digital signage on one of Philadelphia’s most iconic buildings? Is it a creative reinterpretation of the building’s commercial past, or a crass intrusion? The Preservation Alliance is collecting opinions in advance of the Historical Commission meeting. Please vote in our poll below and leave comments in the comments box, or email advocacy@preservationalliance.com.
Edison Fire
Photo via Philadelphia Inquirer
Even though the former Edison school had been slated for demolition anyways, yesterday’s four-alarm blaze at the long-abandoned site is a disturbing reminder of just how vulnerable so much of Philadelphia’s great architecture sits today. Though the cause of the fire isn’t yet official, a short list of probable causes is easy to guess– arson, scrapping accident, careless squatters…. This easily could have been the Divine Lorraine, the Beury Building, Church of the Assumption, the Keystone Bank Building, the Gretz Building, the John Coltrane House, the Poth Brewery, or any other in a soberingly long list of buildings we have grown complacent in seeing vacant and exposed. The Edison fire should turn up the heat on the City, and on us as its citizens, to demand more for these buildings. We must use them, or we will lose them.
CLICK HERE for photos of the fire, via the Philadelphia Inquirer.
CLICK HERE for a 2009 photo essay from inside the school (Part 1, 2, 3, 4).
Preservation is Good Business
Katherine Dowdell, a principal with Blackney Hayes Architects and former chair of the Preservation Alliance’s board of directors, makes the case for preservation in the newest edition of DAGspace, a monthly column published by the Design Advocacy Group. CLICK HERE to view a .pdf of her full article.
Her argument in a nutshell? “Preservation projects reuse valuable buildings, contribute significantly to the local economy, hit sustainability goals with ease, give developers 20% of their money back, sail through the approvals process, and make the neighbors happy. The potential for successful renovation and adaptive use projects in Philadelphia is huge. We have a wealth of historic buildings just waiting for the right owner, developer, economy, or use. However, for this to happen, the building has to survive until its time comes.”
Mount Moriah Cemetery: Cleanup Date Announced
Mount Moriah Cemetery, straddling Cobbs Creek in Southwest Philadelphia and Yeadon Borough, is one of the area’s largest and most historic burial grounds. At a reported 380 acres, it’s bigger than Laurel Hill, Woodlands, and Greenwood Cemeteries combined. It is also virtually abandoned, slowly being engulfed in a forest of weeds and a plague of illegal dumping. Featured on the Preservation Alliance’s 2005 Endangered Properties List, Mount Moriah returned to the news this year when the cemetery, which had remained open for burials and visits despite having no clear owner, abruptly shut down. The City of Philadelphia is now asking the courts to declare the site a public nuisance and assign a new receiver.
While the cemetery’s legal fate plays out, however, there are signs of hope and an opportunity to help. The Friends of Mount Moriah, in conjunction with the City, Greater Philadelphia Cares, and Global Citizen, have organized a day of volunteer action on Saturday, July 16. For the first time in decades, Mount Moriah will be open for debris and weed removal, and all individuals and volunteer groups are eagerly invited to participate. CLICK HERE for more details, and learn more about Mount Moriah HERE and HERE. The following is an excerpt from the Scribe Video Center’s documentary “Buried Stones, Buried Dreams.” The full 10-minute film can be viewed HERE.
Visitation Matters! Vote Now!
By guest author Kimiko Doherty, Manager of Community Development, Archdiocese of Philadelphia
Visitation c. 1915, via http://www.philadelphiabuildings.org
The National Trust for Historic Preservation’s annual This Place Matters national competition is underway this month. Visitation of the Blessed Virgin Mary (BVM) was the only site in the City of Philadelphia included in the list of 100 and must now garner the most online votes during the month-long voting period (June 1- June 30). The site with the most on-line votes wins $25,000; second and third place are awarded monetary awards as well. Visitation consistently has been in the top 10 sites throughout the competition – every vote helps!
Every entrant in the This Place Matters is worthy of a vote. There are theaters, homes, band shells and battlefields on this year’s list that reflect architectural and cultural diversity worthy of recognition. There are places of nostalgia and where people can reminisce about bygone days; there are other places that enrich the lives of those who live in that community.
What sets Visitation’s apart and unique in this competition is the fact that few would ever come to visit Kensington while on vacation, and many who pass through these doors struggle with daily life that the buildings are far from the forefront of their concerns. Visitation exemplifies what many urban churches throughout our area represent – that their physical presence and services they provide are critical to neighborhood preservation. Visitation stands as a visible sign of confidence, investment, and faith in an area of our city often dismissed as a hopeless and neglected. There is no missing the twin spires of Visitation Church as you drive down Lehigh Avenue in Kensington!
Visitation parish was founded in 1872 in the Kensington section of Philadelphia. At the time of the parish’s founding, the Kensington area was bustling with industry and immigrants from Germany and Ireland, helping the City of Philadelphia earn the name, “Workshop of the World.” The parish was the center of community life (which was typical of many urban churches) – parents sent their children to school at Visitation; young adults participated in sports and social events; mothers and fathers participated in social and spiritual clubs; and everyone in the neighborhood went to Mass on Sunday.
Over the course of parish’s 137 years, Visitation adapted to the physical and social changes that occurred in the surrounding neighborhood. The buildings – the church, school, rectory and convent – were all built before the Market-Frankford Elevated Line. The monumental stairs in front of the church were added at the turn of the 20th century when Lehigh Avenue was excavated to accommodate the EL. Many of the surrounding businesses evolved or closed overtime. One of the more famous businesses – the Starlight Ballroom – was adapted and renovated in 2003 and the former ballroom is now the gym of the parish community center. Today community life continues to orbit around Visitation with their many programs and services and serve a diverse population of Latinos, Vietnamese and other Southeast Asian communities.
Vote for Visitation in the This Place Matters competition by clicking here: http://www.preservationnation.org/take-action/this-place-matters/community-challenge/places/visitation-bvm-parish.html
Demolition Watch: Poor Clares Monastery
The former Poor Clares Monastery at 2012-30 West Girard Avenue is slated for demolition. The site, part of the Girard Avenue National Register Historic District, has been vacant and neglected for years by absentee owners who are now proposing two new apartment buildings on the site. Their plan for 42 new 800-square-foot units and a 16-space parking lot requires a number of zoning variances and has been met with significant opposition from neighbors in Francisville and Fairmount. However, the buildings are not listed on the Philadelphia Register of Historic Places, meaning the buildings can be demolished without the approval of the Philadelphia Historical Commission or any assurances that new development would follow.
Owners have cited L&I building violations as justification for the demolition– violations caused by their own negligence in securing and maintaining the buildings. And now they seek to profit from this neglect by speculating on out-of-character new construction, despite the fact that the site is a prime candidate for adaptive reuse and eligible for federal preservation tax credits.
The site sits directly across from Girard College and is an important gateway into Francisville. It includes two c.1890s brownstone townhouses linked by c.1918 Romanesque stone chapel. From 1918 to 1977, the site was home to a contemplative order of Franciscan nuns known as the Poor Clares. Never has a building’s name so sadly matched its fate.
If anyone has photos of the interior, we would love to hear from you.
Unlisted: A. Pomerantz & Co.
Written and drawn by Ben Leech
Unlisted is a series of portraits highlighting unique Philadelphia buildings not yet listed on the Philadelphia Register of Historic Places. To learn how to protect a building by nominating it to the Register, click here.
Address: 1525 Chestnut Street
Architect: Simon & Bassett
Built: 1916
This edition of Unlisted will linger a while on the 1500 block of Chestnut Street, stopping to admire the incomparable Pomerantz Building standing guard across the street from last month’s Kresge Building. The first thing that jumps out at you, quite literally, is its cornice, a terra cotta riot perched so far out over the sidewalk that even the most chronic shoe-gazing pedestrians can occasionally be seen glancing up nervously as they pass beneath it.
But while the cornice grabs all the attention, the building is just as interesting underneath that fancy cap. Ignore all the ornate swishes, swoops and swirls for a moment, and you’ll be struck by just how modern the rest of the building looks, especially for something built in 1916. Virtually every other tall building in the city built before World War II features some variation of a punched window: individual openings set into a surrounding cladding material, usually masonry. Here, the windows are arranged as if the building’s two slender stone columns and single cross-beam are standing in front of an otherwise unbroken, five-story glass curtain wall. Instead of masonry or metal spandrels separating the individual floors, the Pomerantz Building features continuous vertical ribbons spanning multiple stories. I can’t think of anything else in the city with spandrel glass this old. For perspective, the building generally considered to be the world’s first commercial glass curtain wall, San Francisco’s Hallidie Building, was built two years later.
Also rare is its great collection of vestigal signage– three signs from three eras in three different styles, all advertising the same office furniture and supply company that constructed the building and remained its tenant for almost 90 years (the company is still in business elsewhere, now owned by former Phillie outfielder Garry Maddox). Up top, we’ve got the precisely engraved stone entablature. Down below, the plastic fantastic Eisenhower-era blue curlicue storefront sign. Around the side, a fading ghost sign in a boxy 1980s font.
The building has been vacant since a planned condo conversion stalled out in 2006, and I doubt all of this signage will survive if and when its redevelopment gets back on track. Hopefully the cornice has better prospects, but without the protection of historic designation, even its future looks tenuous. Gravity is a powerful force, and so is value engineering.
These Places Matter
Two area sites are among 100 historic places nationwide selected for the National Trust for Historic Preservation’s This Place Matters Community Challenge. Philadelphia’s Visitation BVM Parish and West Chester’s Lincoln Biography Building are competing for a share of $40,000 in grants in the Trust’s annual contest. You can vote for your favorite project now through June 30, one vote per person. Represent Philadelphia (or West Chester) by voting here.
Unlisted: S.S. Kresge Co.
Written and drawn by Ben Leech
Unlisted is a series of portraits highlighting unique Philadelphia buildings not yet listed on the Philadelphia Register of Historic Places. To learn how to protect a building by nominating it to the Register, click here.
Address: 1520-22 Chestnut Street; 1521-23 Sansom Street
Architect: Silverman & Levy
Built: 1934
This little Art Deco assemblage began life in 1934 as a S.S. Kresge Co. store, the five-and-dime forerunner of today’s K-Marts. Designed by the firm of Silverman & Levy with frontage on both Chestnut and Sansom Streets, it’s hard to decide which end has been more abused over the years by new tenants with ten-foot ladders. But above their ground-floor degradations, both elevations feature surprisingly intact upper stories with bold and playful machine-age ornament echoing the nearby WCAU Building and the sadly-lost Trans Lux Theater that once stood directly across Chestnut Street.
But even the ground floors have their own curious charm. Long before the dubiously-named “Eternity Fashion” outlet occupied a portion of the Chestnut Street side, the space was occupied by a pub named Pub, which left behind a nice little terrazzo vestibule. And on the Sansom Street side, a bizarre homage to (or rip-off of) Frank Lloyd Wright’s 1948 V.C. Morris Store in San Fransisco turned up sometime in the 1980s. All in all, a forgivable blend of quirk and class (though how nice would a full restoration be?).
New additions to the Philadelphia Register
At last Friday’s Historical Commission meeting, five new properties were approved for listing on the Philadelphia Register of Historic Places: four neighborhood bank buildings and the historic interiors of the Family Court Building, providing protection from demolition and adverse alteration. For more information on the designation process and criteria for inclusion, CLICK HERE.
Left: PSFS South Broad Branch, 2001-07 South Broad Street (Mellor, Meigs & Howe, 1924) CLICK HERE for the nomination.
Center: PSFS West Philadelphia Branch, 15 S. 52nd Street (Mellor, Meigs & Howe, 1926) CLICK HERE for the nomination.
Right: PSFS Lehigh Branch, 1025 W. Lehigh Avenue (Mellor, Meigs & Howe, 1924) CLICK HERE for the nomination.
Rosenbaum Bank, 603-05 S. 3rd Street (Magaziner & Potter, 1907)
Family Court Interiors and Murals, 1801 Vine Street (John T. Windrim and William R.M. Keast, architects, 1941) CLICK HERE and HERE for the nomination.
Living on a Prayer
Mayor Nutter channeled Bon Jovi to sing the praises of historic preservation at the recent ribbon-cutting for the Presser Senior Apartments, a 2011 Preservation Achievement Award recipient: “Given the incredible history of this city, you have to pay attention to preservation,” he said. “You have to hold on to what you have.”
Accident? The former Presser Home for Retired Music Teachers and the adjacent Nugent Home were both saved from demolition by concerned neighbors in 2005. Presser is the first to be rehabilitated into senior housing, and with 200 people on a waiting list for the 45-unit building, the Nugent Home shouldn’t be far behind. So yes, Mr. Nutter, we’re half way there.
Read more about the ribbon-cutting from NewsWorks HERE.
Read more about the Alliance’s Preservation Achievement Awards HERE.
Death by a Thousand Cuts
This before-and-after montage illustrates the unfortunate effect that replacement windows can have on the unique character of the city’s historic architecture. Like a cartoon character’s x’d-out eyes, the slap-dash vinyl windows recently installed in this Chinatown commercial loft robbed the building of some fantastic, one-of-a-kind diamond panes (some nice balcony railings have apparently gone the way of the scrapper, as well). This is Exhibit A in the case for more historic districts being needed in Philadelphia, where such short-sighted changes are regularly averted through design review. And before shouting “energy efficiency,” the National Trust for Historic Preservation’s online resource center for historic windows is worth a visit. So is this video.
Tube Tuesday: Allen Lane
Via Newsworks and Aaron Warkov, a day in the life of Allen Lane Station, one of six SEPTA regional rail station restoration projects receiving a Preservation Achievement Award at our upcoming Awards Luncheon. CLICK HERE for more on the event and this year’s other winners.
Building Philadelphia: Architecture, History & Politics
Photo via phillyhistory.org
From our friends at the Center for Architecture:
“Building Philadelphia: Architecture, History & Politics” is the definitive course on the development of Philadelphia and its architecture. This engaging 10-part lecture series is taught by a selection of architects, urban planners, art historians and social historians from local universities and architecture firms. Topics covered include William Penn’s original plan, Archaeology & Preservation in Philadelphia, major urban planning projects such as the Benjamin Franklin Parkway & Society Hill, Skyscrapers, Modernism in Philadelphia, and the future of development in the city.
Ten Tuesday evenings, March 1 through May 3, 2011
6 to 8 p.m., Center for Architecture, 1218 Arch Street
Click Here to register
Full Series: $250 General Public, $200 Members, $100 Students / AIA Associates
Individual
Lectures: $30 General Public, $25 Members, $15 Students / AIA Associates
……………………………………………….
FULL SCHEDULE
……………………………………………….
MARCH 01 – The First 100 Years: from 1682 – 1782
Paula Spilner, PhD, Drexel University
MARCH 08 – Penn’s Plan and the Founding of the City
John Andrew Gallery, Executive Director
Preservation Alliance for Greater Philadelphia
MARCH 15 – Philadelphia Railroads
Joel Spivak, author of Philadelphia Railroads
MARCH 22 – The Victorian City
Jeffrey Cohen, PhD, Bryn Mawr College
MARCH 29 – Going on Stilts: The Tall Building in 19th c. Philadelphia
Paula Spilner, PhD, Drexel University
APRIL 05 – Immigration to the City
Caroline Golab, PhD, Thomas Jefferson University
APRIL 12 – The Hidden City: Archaeology of Philadelphia
Rebecca Yamin, PhD, John Milner Associates, Inc.
APRIL 19 – Planning the Modern City: The Parkway and Society Hill
David Brownlee, PhD, University of Pennsylvania
APRIL 26 – Misfits and Heroes: Modernism in the Delaware Valley
William Whitaker, Curator, Architectural Archives,
University of Pennsylvania
MAY 03 – Ed Bacon and the Future of Philadelphia
Scott Gabriel Knowles, PhD, Drexel University
Uptown
Photo courtesy Karen Singer Tileworks
The National Trust’s PreservationNation just featured the Uptown Theater in an article by the Alliance’s own Melissa Jest. Click the link below for more on this exciting, homegrown preservation campaign.
Tube Tuesday: Spectrum Demolition
Q: If the Spectrum implodes in an apocalyptic dust storm and no one is there to hear it, does it make a sound?
A: Yes, because it’s on Youtube.
$50,577,098
Other than irreplaceable architectural character and neighborhood identity, what do Philadelphia’s historic churches contribute to the secular health of the city? Our friends at Partners for Sacred Places have the eight figure answer. Read more from yesterday’s Inquirer:
Mod Winners Announced
Montgomery & Bishop’s District Health Center #1, Louis Kahn’s Richards Medical Labs, and I.M. Pei’s Society Hill Towers were among the top vote-getters in the Alliance’s recent “I Like Mod” online poll of Philadelphia’s favorite mid-century modern architecture. Over 1600 votes were cast for 65 buildings in ten categories. Surprise winners included Juniata Park’s Ferko Playground (Parks and Plazas), North Philadelphia’s Holy Cross Lutheran Martin Luther King Jr. Center (Religious Buildings) and a photo-finish tie between Old City’s National Products and Tacony’s Stein Flowers (Storefronts). A few interesting sidenotes: Mitchell/Giurgola buildings took top honors in two categories, while Venturi Scott Brown, despite competing in four categories, failed to rank higher than third place. And of the eleven winning sites, only four (National Products, Society Hill Towers, Richards Medical Labs and the United Fund building) are currently protected on the Philadelphia Register of Historic Places. CLICK HERE or on the ribbon above for the complete list of winners, and thanks to everyone who voted!
Tube Tuesday: They Do Come Back
Field Notes would’ve really jumped the shark with this bizarre piece of medical noir if it weren’t for the choice shots of vintage Philadelphia architecture contained herein– the Art Museum, 2601 Parkway, rowhouses, daylight factories, colonial revival ‘burbs. Oh, the good old days, when the factories churned and the sanatoriums cured….
This is a Cliff Notes version we edited down from the full 16-minute film found here: http://www.archive.org/details/gov.archives.arc.98572
Unlisted: West Philadelphia Title and Trust
Unlisted is a series of portraits highlighting Philadelphia buildings not yet listed on the Philadelphia Register of Historic Places. To learn how to protect a building by nominating it to the Register, click here.
Address: 4000 Lancaster Avenue
Architect: Walter Smedley
Built: 1897
How is this stately bank building on the corner of Lancaster and 40th not on the Philadelphia Register? Well, up until a few years ago, it was overgrown with billboards and signage, its decorative bloom of terra cotta concealed by Clear Channel’s mongering shroud. Huge kudos to the People’s Emergency Center, which convinced the building owner to kick the ad habit. After the necessary cleaning, repointing and stabilization, what emerged was a spectacular neighborhood landmark. Walter Smedley, the building’s architect, was a founder of the venerable T-Square Club and designed a number of Register-listed buildings, including the East Park Canoe House and listed-but-lost Northern National Bank.
Historic (c. 1899)
Before (c.2008, courtesy James Wright, PEC)
After (c.2010, courtesy James Wright, PEC)
I Like Mod: Polls Close Soon!
You have until this Monday, January 10 to vote for your favorite midcentury Philadelphia buildings and sites in our “I Like Mod” election. CLICK HERE for the ballot. Over a thousand votes have already been tallied, and more importantly, a number of excellent write-in candidates have emerged. But we know there are many more out there. Enjoy the slideshow below featuring some of these write-ins, and send us your own favorite dark horses! The winning buildings will be announced online and in our Winter 2011 newsletter in early February.
From the Inbox
Back in July, our Unlisted series featured the former Schlichter Jute Cordage Works factory (click here to view the original post). We just got the following note in response, and wanted to share. Thank you, Mr. Casale, for a wonderful mystery solved!
Dear Ben Leech/ Preserve Philly/field notes,
my name is Cody Casale, the grandson of Martin Stein, who is the president of Sterling Paper company. The other night I was randomly browsing google images and came across your article about my Grandfathers factory.
I am pleased to read what you wrote, the illustration of the building and also the photos you shot. I would like to add some of my knowledge about what I know, to inform you:
The paper company is still in business and my Grandfather has been struggling to keep it alive- but it is still going… union workers and all. The original signage that was on the top sides of the building said “it takes a golden effort to make a sterling product”. After a while, (about in 2001), that signage became old and the Philadelphia Mural Arts wanted to add some mystery to the building. I was getting ready to attend RISD, Rhode Island School of Design and wanted to help out with the project. Meg Saligman, one of the main artists from the philly mural arts went in and spoke with my grandfather about his past, and wrote down bold statements that he stated as he told his stories to her. She then used those statements and in a “subtle” manner (w/o runing the run down look of the building) had Tony (local graff. artist and myself) add the sayings, the paintings of my grandfather, my mother and myself, also the “1st, 2nd and 3rd” shift paintings. To this day, after the mural was finished- people would walk by the building in confusion wondering what it all means- asking my grandfather numerous questions. If it was up to him, he would of rather of had his original Sterling Paper slogan redone, in crisp black/white paint.
I really appreciate your effort to acknowledge your awareness of the building and will be sure to pass your article on to my grandfather and aunt (president and vice president).
Thanks!
Cody Casale
